Theory and Criticism of Literature and Arts
Volume 3, No. 1 – April 2018
(Print-only volume)
Copyright © 2018 TCLA Academic Journal
Digital Version – ISSN: 2297-1874
Print Version – ISSN: 2504-2238
ISBN 978-0-244-33674-5
Archiving and Accessibility Statement
This issue was published exclusively in print and is not available online. No digital copies or DOIs were assigned.
Table of Contents
Title: Michelangelo e Caravaggio. Riflessioni a commento di un volume di M. Bussagli
pp. 1–18
Author: Sergio Rossi (Emeritus, Fondazione Sapienza )
Abstract: A critical commentary reflecting on M. Bussagli’s volume about the artistic and stylistic connections between Michelangelo and Caravaggio, exploring aesthetic parallels and interpretative challenges.
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Title: Il quadrato magico del Bronzino e i ritratti di Tonino Lapi, Filippo Peruzzi ed un'effige di Don Garzia mai consegnata a Cosimo I
pp. 19–55
Author: Carla Rossi (University of Zurich, ORCID: 0000-0001-6557-3684)
Abstract: This study investigates Bronzino’s “magic square” compositional schemes and examines portraits of Tonino Lapi, Filippo Peruzzi, and a never-delivered portrait of Don Garzia intended for Cosimo I, offering new insights into Medici portraiture.
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Title: La Milvia bronziniana
pp. 56–65
Author: Carla Rossi (ORCID: 0000-0001-6557-3684)
Abstract: The article delves into the iconography and stylistic features of a female figure referred to as “Milvia” in Bronzino’s work, discussing her possible identity and artistic context within the Medici court.
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Title: Modelli architettonici carolingi di abbazie e cattedrali in Sabina e nel Lazio: gli esempi paralleli di Vescovìo, Farfa e S. Magno di Fondi
pp. 66–103
Author: Fabio Betti, Università degli Studi "La Sapienza" di Roma
Abstract: The essay analyses Carolingian architectural models influencing abbeys and cathedrals in Sabina and Lazio, focusing on the parallel cases of Vescovìo, Farfa, and S. Magno of Fondi to illustrate regional architectural diffusion and variations.
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Title: Novità e approfondimenti sugli esordi (e i molti autoritratti) di Filippo Lippi
pp. 104–137
Author: Sergio Rossi
Abstract: This contribution presents new findings and detailed analysis regarding the early career and numerous self-portraits of Filippo Lippi, highlighting stylistic evolutions and biographical discoveries.
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Title: Giovanni dal Ponte, Giovanni di Francesco Toscani e il cosiddetto Maestro della Crocifissione Griggs
pp. 138–145
Author: Sergio Rossi
Abstract: An examination of attributions and stylistic interrelations between Giovanni dal Ponte, Giovanni di Francesco Toscani, and the so-called Master of the Griggs Crucifixion, discussing issues of identity and workshop practices in early Renaissance Florence.
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Title: Ottaviano Ubaldini Della Carda e l'allestimento della biblioteca di Federico da Montefeltro
pp. 146–169
Author: Alessandra Bertuzzi
Abstract: The article explores Ottaviano Ubaldini Della Carda’s role in organising the library of Federico da Montefeltro, shedding light on manuscript acquisition, cataloguing strategies, and humanistic culture at the Urbino court.
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